George Morrison (1919-2000) Wood Collage Impression - Rubbing XXI 1976 1/6 36 inches x 70 inches Signed and dated along lower right quadrant, titled and editioned along lower left quadrant

Cameron Booth (1892-1980) Untitled 1959 Etching on paper 19 inches x 25 inches Signed and dated along lower quadrant

Clara Mairs (1878-1963) Still Life Oil on Board 22 inches x 18 inches Signature in bottom left quadrant

Cameron Booth (1892-1980) Between the Sun and Me 1949 Oil on canvas 42 inches x 46 inches (106.68 cm x 116.84 cm) Lent by Cameron Booth to Minneapolis Institute of Art Exhibition number L58.530 Bertha Shaefer Gallery, New York, New York Private Collection, Minnesota Sold   Cameron Booth created this iconic painting in 1949 and exhibited it at the Minneapolis Institute of Art in 1958. The painting went on to be showcased at the legendary Bertha Shaefer Gallery in New York City. Booth painted "Between the Sun and Me" during an intensely creative time in his career. His began to focus on more abstract paintings and was intrigued by his exposure to the Abstract Expressionists while living in New York City. It was created after he returned to Minneapolis from New York where he was absorbed by the surrounding ethos and was drawn to the aesthetic advances of Abstract Expressionism that was being made. "Between the Sun and Me" generates an eloquent dialogue between abstract painting and recognizable forms. The spontaneity, energy and dynamism of the painting are elements of Abstract Expressionism, while the representational nature of the painting creates a poetic symbolism similar to the artworks of Joan Miro. The painting features a colorful, carnival like palette of ochres, reds, blues, greens, and pinks. A celestial body with elongated limbs is made up of swirling blocks of color interspersed with recognizable objects such as horses. The title helps identify the sun in the background, depicted with a wonderful ochre color and accentuating the dynamic scene. Booth created a tight painting by constricting space with beautiful progressions of color and interlocking forms. This complex composition enhances the rhythmic nature of the painting.  

Elof Wedin (1901-1983) Abstract in Red Oil on canvas 66 inches x 86 inches Signed along upper right quadrant

Cameron Booth (1892-1980) Horse  1964 Oil on canvas 26 inches x 36 inches (66.04 cm x 91.44 cm) Signed and dated along lower left quadrant

Cameron Booth (1892-1980) Diner 1940 Gouache on paper 14.75 inches x 20.75 inches Signature and date along lower left quadrant

Cameron Booth (1892-1980) Spring Morning Oil on Canvas c. 1970 30 inches x 40 inches  

Edwin Dawes (1872-1945) 1922 Oil on canvas 30 inches x 40 inches Signed and dated along lower left quadrant

Cameron Booth (1892-1980) Clam Bay Farm 1930 Oil on canvas 26 inches x 34 inches Signed dated along lower left quadrant Exhibitions: Art Institute of Chicago, 1934 A Century of Progress Exhibition of Paintings and Sculpture

Cameron Booth (1892-1980) Onigum Bay 1966 Oil on canvas 18 inches x 24 inches Signed and dated along lower right quadrant

Carl Rawson (1884-1970) Untitled (Hillside Impression) c. 1935 Oil on canvas 25 inches x 32 inches Signature lower right quadrant