Artwork Description
Wood Collage Table
George Morrison (1919-2000)
Wood Collage Table
Prepared and stained wood
H 17 inches x W 53 inches x D 23 inches
Other Paintings You May Be Interested In
George Morrison (1919-2000)
Light of the New Day. Dialogue of the Shore, Red Rock Variation: Lake Superior Landscape
Acrylic on Canvas on Board
1995
5 ½ inches x 14 ½ inches
Signed, titled, and dated on back
The richness of this rocky, elevated paint could have surely been created on an enormous canvas. Morrison’s decision to maintain a humbly sized surface resulted in a unique work that encourages study of the canvas's billowing panorama, as the artist was similarly attracted to the source landscape. The work represents, or was inspired by, a shore at Lake Superior. Perhaps the painting depicts a cross-section of the water, or the red above as distant mountains, placing the viewer “in” the outdoors, as Morrison was. Further indicated by the title, the evocation of the natural earth was regarded by Morrison as a source of renewal, by which he reveled in the phenomenon of a fresh day.
The richness of this rocky, elevated paint could have surely been created on an enormous canvas. Morrison’s decision to maintain a humbly sized surface resulted in a unique work that encourages study of the canvas's billowing panorama, as the artist was similarly attracted to the source landscape. The work represents, or was inspired by, a shore at Lake Superior. Perhaps the painting depicts a cross-section of the water, or the red above as distant mountains, placing the viewer “in” the outdoors, as Morrison was. Further indicated by the title, the evocation of the natural earth was regarded by Morrison as a source of renewal, by which he reveled in the phenomenon of a fresh day.
George Morrison (1919-2000)
Breath of Windigo. Red Rock Variation: Lake Superior Landscape
1993
Acrylic on canvas on board
6 inches x 16 inches
Signature, title, and date on verso
Directly from artist to Dolly Fiterman collection to private collection
George Morrison
#12 Cityscape with Chrysler Building
1980
India ink on paper
11 inches x 8 3/8
Signature and date on lower right quadrant
Exhibited in Standing in the Northern Lights,
at MMAA, Tweed Museum, and Plains Museum, 1990
George Morrison (1919-2000)
Untitled
1972
Ink on paper
23 inches x 23 inches
Exhibited in: George Morrison Drawings
Walker Art Center, 1973
Heard Museum, 1973
Amon Carter Museum of Western Art, 1974
Cameron Booth (1892-1980)
Badlands
1939
Oil on board
24 inches x 36 inches
Signed and dated along lower left quadrant
Exhibitions:
American Federation of Art, 1960
Wisconsin State University/Eau Claire, 1967 Exhibition on Cameron Booth and Chaim Gross
George Morrison (1919-2000)
Wood Collage Impression - Rubbing XXI
1976
1/6
36 inches x 70 inches
Signed and dated along lower right quadrant, titled and editioned along lower left quadrant
Cameron Booth (1892-1980)
Walker Bay, Leech Lake Indian Reservation
1974
Oil on canvas
24 inches x 30 inches
Monogrammed CB and dated along lower right quadrant
George Morrison (1919-2000)
Untitled (Sepia Version)
1987
29/35
Woodcut on paper
25.5 inches x 72.5 inches
Signed in pencil along lower right quadrant
Ada Wolfe (1878-1948)
Glenwood Park
1933
Oil on canvas laid board
16 inches x 20 inches
Signed along the lower right quadrant, dated along the lower left quadrant
Cameron Booth (1892-1980)
Clam Bay Farm
1930
Oil on canvas
26 inches x 34 inches
Signed dated along lower left quadrant
Exhibitions:
Art Institute of Chicago, 1934
A Century of Progress Exhibition of Paintings and Sculpture
Knute Heldner (1877-1952)
Untitled (Landscape in Blue and Orange)
c. early 20th century
Oil on board
20 inches x 23 inches
Signature lower left quadrant
George Morrison (1919-2000)
Totem
Prepared wood
H 22 inches x W 8 inches x D 8 inches,
including attached base
Galt, Margot, Turning the Feather Around, p. 191
George Morrison (1919-2000)
Wood Collage Fragment – Rubbing MXVII
1977
7/10
Rubbing on paper
22 ½ inches x 31 inches
Signed and dated in pencil along lower right quadrant
Titled in pencil along lower left quadrant
Cameron Booth (1892-1980)
John Haley's Terrace in Point Richmond, CA
1935
Gouache on paper
12.5 inches x 17 inches
Signed and dated along lower quadrant
Cameron Booth (1892-1980)
Untitled
1964
Lithograph on paper
Second State 1/4
13 inches x 20.75 inches
Signed, editioned, and dated along lower quadrant
Dewey Albinson (1898-1971)
Miner at Hibbing
Oil on canvas
28 inches x 24 inches
Exhibited at the Walker Art Center and American Federation for the Arts
